The pigeonhole perspective suggests a different way of approaching these cases and duty analysis more generally. It is probably true, in such a case, that the therapist ought to be more or less exclusively attentive to his patient’s interests: In making decisions about how to treat his patient, he ought not to act on any concern for the interests of third parties. Probably he should attempt to screen such concern from his deliberative radar entirely. In this sense, it is accurate to describe him as lacking any moral duty of care to third parties. Yet it seems perverse to infer from this observation that, if the therapist carelessly induces in his patient false memories of severe abuse at her parent’s hands, her parent ought to be precluded from recovery, as a matter of moral principle.
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In both Kidman and McEwen's talented hands, Scarpetta is a methodical, smart, and sangfroid chainsmoker, highly skilled as chief medical examiner, scrutinising causes of death and throwing the book at chauvinist colleagues. She's not a hard boiled detective who flies off the handle and cuts corners — that's her charming but combustible partner Pete Marino (Cannavale Sr. in the present, Cannavale Jr. in the past). Instead, she's a by-the-book forensic pathologist urging her colleagues to wear sanitary equipment and refrain from using slurs. The comparisons between her and another scrupulous '90s investigator, The X-Files' Dana Scully, are not subtle, from the suits and tees Kay dons to a literal collation of the two's similarities in episode 6.
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