└─ Per-job PID + Mount Namespace
Что думаешь? Оцени!
，这一点在新收录的资料中也有详细论述
My introduction to Bloom came at a deadly age: early in undergrad, when a good friend’s mother (an English teacher) gave me a copy of Bloom’s Genius. I’ve still never read the whole thing. Over the years, as I began to read more intently and dream of becoming a writer, I’d open its pages sometimes just to see what he had to say about whoever I was reading at that moment. This practice became more and more common. By the time of the COVID pandemic, as I was living and studying on my own in a minor mid-American city, I’d come to compulsively refer almost everything I read to that voice—to Bloom’s voice—searching constantly for its approval, wary of its admonishment. I began to use his Best Poems as a guide to my own chronological reading of the major English poets; it was then that I first read The Anxiety of Influence, The Western Canon and several other books. Much of this time was well spent: there was always new inspiration to be discovered meditating on the burdens of Bloom. And yet those burdens—above all, the apparent impossibility of genuine literary freedom—had begun to transfer to me as well.
（注：这里有个小插曲。我后来发现在 Canvas 里直接复制全文，有时竟然也能成功保留所有格式。不过，因为 Canvas 呈现的是渲染后的富文本，没法直观地核对 Markdown 标记。为了保险起见，我还是习惯让它在对话框里多输出一遍源码，反正顺手的事，有备无患。）